ANNIE 2: MISS HANNIGAN'S REVENGE
Composer: Charles
Strouse
Lyricist: Martin Charnin
Opened: January 4,
1990, Kennedy Center, Washington, D.C.
Performances: Closed out of
town
1934 (Tomorrow Is Now):
1. Annie/Annie 2, CD/TimeLife
M19538 (Harve Presnell, Shelly Burch, Amanda Balon, and Ensemble with the
Istropolis Philharmonic Orchestra directed by Keith Levenson) (as "1934")
2.
Annie/Annie 2, CD/TimeLife M19538 (Amanda Balon with the Istropolis
Philharmonic Orchestra directed by Keith Levenson) (as "1934")
3.
Annie/Annie 2, CD/TimeLife M19538 (Harve Presnell, Shelly Burch, Raymond
Thorne, Amanda Balon, and All with the Istropolis Philharmonic Orchestra
directed by Keith Levenson) (as "Tomorrow Is Now")
All Dolled Up (later used in ANNIE
WARBUCKS):
1. Annie Warbucks, CD/Broadway
Angel CDQ 55040 (Kathryn Zaremba, Ashley Pettet, Missy Goldberg, Elisabeth
Zaremba, Natalia Harris, Havre Presnell, Raymond Thorne, Jackie Angelescu,
Harvey Evans, Molly Scott and Guests with musical direction by Keith
Levenson)
All I've Got Is
Me:
1. Annie/Annie 2, CD/TimeLife
M19538 (Amanda Balon with the Istropolis Philharmonic Orchestra directed by
Keith Levenson)
Beautiful:
1. Backer's Audition (Martin
Charnin and Charles Strouse)
But You Go On
(later used in ANNIE WARBUCKS):
1. Annie Warbucks, CD/Broadway
Angel CDQ 55040 (Donna McKenchnie and Harve Presnell with musical direction by
Keith Levenson)
Changes (later used in
ANNIE WARBUCKS):
1. Annie Warbucks, CD/Broadway
Angel CDQ 55040 (Harve Presnell and Kathryn Zaremba with musical direction by
Keith Levenson)
Coney
Island:
1. Annie/Annie 2, CD/TimeLife
M19538 (Harve Presnell, Shelly Burch, Amanda Balon, Kathie Lee Gifford, Gary
Beach, and The Boardwalkers with the Istropolis Philharmonic Orchestra directed
by Keith Levenson)
He Doesn't Know I'm
Alive:
1. Annie/Annie 2, CD/TimeLife
M19538 (Shelly Burch with the Istropolis Philharmonic Orchestra directed by
Keith Levenson)
How Could I Ever Say No?:
1. Annie/Annie 2, CD/TimeLife
M19538 (Sally Struthers and Gary Beach with the Istropolis Philharmonic
Orchestra directed by Keith Levenson)
I Guess Things Happen For The
Best:
1. Annie/Annie 2, CD/TimeLife
M19538 (Marissa O'Donnell with the Istropolis Philharmonic Orchestra directed
by Keith Levenson)
The Lady Of The House:
1. Annie/Annie 2, CD/TimeLife
M19538 (Martin Charnin, Shelly Burch, and Warbucks' Staff with the Istropolis
Philharmonic Orchestra directed by Keith Levenson)
2. Annie/Annie 2,
CD/TimeLife M19538 (Shelly Burch and the Female Entrants with the Istropolis
Philharmonic Orchestra directed by Keith Levenson)
My
Daddy:
1. Annie/Annie 2, CD/TimeLife
M19538 (Andrea McArdle with the Istropolis Philharmonic Orchestra directed by
Keith Levenson)
When You Smile (later used in ANNIE
WARBUCKS):
1. Backer's Audition (Martin
Charnin and Charles Strouse)
2. Backer's Audition (Martin Charnin and
Charles Strouse) (finale version)
3. Annie Warbucks, CD/Broadway Angel CDQ
55040 (Harve Presnell with musical direction by Keith Levenson)
4. Annie
Warbucks, CD/Broadway Angel CDQ 55040 (Harve Presnell, Karen Zaremba, and cast
with musical direction by Keith Levenson) (reprise)
You Ain't Seen The Last Of Me:
1. Backer's Audition (Martin
Charnin and Charles Strouse)
You! You!
You! (part of melody originally used for "Love Comes First" cut from APPLAUSE
and subsequently used with new lyrics as "Above The Law" in ANNIE
WARBUCKS):
1. Backer's Audition (Martin
Charnin and Charles Strouse)
2. Applause Composer Demo (Charles Strouse,
piano and voice) (as "Love Comes First")
3. Applause Studio Demo, no label
EHM-100 (unidentified performer) (as "Love Comes First")
4. Annie Warbucks,
CD/Angel CDQ 55040-2 (Alene Robertson with musical direction by Keith Levenson)
(as "Above The Law")
5. Annie Warbucks, CD/Angel CDQ 55040-2 (Alene
Robertson and Donna McKechnie with musical direction by Keith Levenson) (as
"Above The Law")
A Younger Man (later used
in ANNIE WARBUCKS):
1. Backer's Audition (Martin
Charnin and Charles Strouse)
2. Annie Warbucks, CD/Broadway Angel CDQ 55040
(Harve Presnell with musical direction by Keith Levenson)
Unrecorded Material:
Cortez (M: Jospeh Nohl; L: Dieter
Dorfmunder)
I Could Get Used To This
Just Let Me Get Away With This One
Overture
The Tenement Lullaby