ANNIE 2: MISS HANNIGAN'S REVENGE



Composer: Charles Strouse
Lyricist: Martin Charnin

Opened: January 4, 1990, Kennedy Center, Washington, D.C.
Performances: Closed out of town


1934 (Tomorrow Is Now):

1. Annie/Annie 2, CD/TimeLife M19538 (Harve Presnell, Shelly Burch, Amanda Balon, and Ensemble with the Istropolis Philharmonic Orchestra directed by Keith Levenson) (as "1934")
2. Annie/Annie 2, CD/TimeLife M19538 (Amanda Balon with the Istropolis Philharmonic Orchestra directed by Keith Levenson) (as "1934")
3. Annie/Annie 2, CD/TimeLife M19538 (Harve Presnell, Shelly Burch, Raymond Thorne, Amanda Balon, and All with the Istropolis Philharmonic Orchestra directed by Keith Levenson) (as "Tomorrow Is Now")


All Dolled Up (later used in ANNIE WARBUCKS):

1. Annie Warbucks, CD/Broadway Angel CDQ 55040 (Kathryn Zaremba, Ashley Pettet, Missy Goldberg, Elisabeth Zaremba, Natalia Harris, Havre Presnell, Raymond Thorne, Jackie Angelescu, Harvey Evans, Molly Scott and Guests with musical direction by Keith Levenson)


All I've Got Is Me:

1. Annie/Annie 2, CD/TimeLife M19538 (Amanda Balon with the Istropolis Philharmonic Orchestra directed by Keith Levenson)


Beautiful:

1. Backer's Audition (Martin Charnin and Charles Strouse)


But You Go On (later used in ANNIE WARBUCKS):

1. Annie Warbucks, CD/Broadway Angel CDQ 55040 (Donna McKenchnie and Harve Presnell with musical direction by Keith Levenson)


Changes (later used in ANNIE WARBUCKS):

1. Annie Warbucks, CD/Broadway Angel CDQ 55040 (Harve Presnell and Kathryn Zaremba with musical direction by Keith Levenson)


Coney Island:

1. Annie/Annie 2, CD/TimeLife M19538 (Harve Presnell, Shelly Burch, Amanda Balon, Kathie Lee Gifford, Gary Beach, and The Boardwalkers with the Istropolis Philharmonic Orchestra directed by Keith Levenson)


He Doesn't Know I'm Alive:

1. Annie/Annie 2, CD/TimeLife M19538 (Shelly Burch with the Istropolis Philharmonic Orchestra directed by Keith Levenson)


How Could I Ever Say No?:

1. Annie/Annie 2, CD/TimeLife M19538 (Sally Struthers and Gary Beach with the Istropolis Philharmonic Orchestra directed by Keith Levenson)


I Guess Things Happen For The Best:

1. Annie/Annie 2, CD/TimeLife M19538 (Marissa O'Donnell with the Istropolis Philharmonic Orchestra directed by Keith Levenson)


The Lady Of The House:

1. Annie/Annie 2, CD/TimeLife M19538 (Martin Charnin, Shelly Burch, and Warbucks' Staff with the Istropolis Philharmonic Orchestra directed by Keith Levenson)
2. Annie/Annie 2, CD/TimeLife M19538 (Shelly Burch and the Female Entrants with the Istropolis Philharmonic Orchestra directed by Keith Levenson)


My Daddy:

1. Annie/Annie 2, CD/TimeLife M19538 (Andrea McArdle with the Istropolis Philharmonic Orchestra directed by Keith Levenson)


When You Smile (later used in ANNIE WARBUCKS):

1. Backer's Audition (Martin Charnin and Charles Strouse)
2. Backer's Audition (Martin Charnin and Charles Strouse) (finale version)
3. Annie Warbucks, CD/Broadway Angel CDQ 55040 (Harve Presnell with musical direction by Keith Levenson)
4. Annie Warbucks, CD/Broadway Angel CDQ 55040 (Harve Presnell, Karen Zaremba, and cast with musical direction by Keith Levenson) (reprise)


You Ain't Seen The Last Of Me:

1. Backer's Audition (Martin Charnin and Charles Strouse)


You! You! You! (part of melody originally used for "Love Comes First" cut from APPLAUSE and subsequently used with new lyrics as "Above The Law" in ANNIE WARBUCKS):

1. Backer's Audition (Martin Charnin and Charles Strouse)
2. Applause Composer Demo (Charles Strouse, piano and voice) (as "Love Comes First")
3. Applause Studio Demo, no label EHM-100 (unidentified performer) (as "Love Comes First")
4. Annie Warbucks, CD/Angel CDQ 55040-2 (Alene Robertson with musical direction by Keith Levenson) (as "Above The Law")
5. Annie Warbucks, CD/Angel CDQ 55040-2 (Alene Robertson and Donna McKechnie with musical direction by Keith Levenson) (as "Above The Law")


A Younger Man (later used in ANNIE WARBUCKS):

1. Backer's Audition (Martin Charnin and Charles Strouse)
2. Annie Warbucks, CD/Broadway Angel CDQ 55040 (Harve Presnell with musical direction by Keith Levenson)


Unrecorded Material:

Cortez (M: Jospeh Nohl; L: Dieter Dorfmunder)
I Could Get Used To This
Just Let Me Get Away With This One
Overture
The Tenement Lullaby