110 IN THE SHADE

110 IN THE SHADE

Composer: Harvey Schmidt
Lyricist: Tom Jones

Opened: October 24, 1963, Broadhurst Theatre, NYC
Performances: 330

Note: Only numbers not found on the CD reissue of the original Broadway cast recording are noted below.

110 In The Shade (cut; used in the 1967 London production):

1. 45/Columbia DB-8131 (Joel Warfield with orchestra conducted by Sam Fonteyn)

Alamo Café (inst.) (unused; related musically to "Pretty Is"):

1. "Texas Thirties" demo (Harvey Schmidt, piano)

Altar Call (inst.) (unused):

1. "Texas Thirties" demo (Harvey Schmidt, piano)

Bunko (inst.) (unused):

1. "Texas Thirties" demo (Harvey Schmidt, piano)

Cinderella:

1. 110 In The Shade, CD/JAY CDJAY2 1282 (Scott Charles, Thomas Connor, Sapphire Elia, Camilla Hunsley, Rory Muir, Fiona Taylor, and Karen Ziemba with the National Symphony Orchestra conducted by John Owen Edwards)
2. 110 In The Shade, CD/PS Classics PS-754 (Vivian Lorraine Taylor and Audra McDonald with orchestra conducted by Paul Gemignani)

Come On Along (cut; reinstated in the 1992 New York City Opera revival):

1. 1991 Composers' Private Recording (Tom Jones and Harvey Schmidt, vocals, with Harvey Schmidt, piano) (preceded by "Overhead")

Crazy Water Crystals (inst.) (unused):

1. "Texas Thirties" demo (Harvey Schmidt, piano)

Curtain Music:

1. 110 In The Shade, CD/JAY CDJAY2 1282 (National Symphony Orchestra conducted by John Owen Edwards)

(At The) Dessau Dance Hall (aka "Dance Hall Saturday Night") (cut; later used in PORTFOLIO REVUE and THE SHOW GOES ON):

1. "Texas Thirties" demo (Harvey Schmidt, piano)
2. The Show Goes On, CD/DRG 19008 (JoAnn Cunningham with Harvey Schmidt, piano)

Doctor Pepper Queen (inst.) (unused):

1. "Texas Thirties" demo (Harvey Schmidt, piano)

End Of Act Two, Scene Four (instrumental version of "Is It Really Me?"):

1. 110 In The Shade, CD/JAY CDJAY2 1282 (Ron Raines and Karen Ziemba with the National Symphony Orchestra conducted by John Owen Edwards) (with dialogue)

End Of Act Two, Scene One (harmonica version of "Everything Beautiful Happens At Night") :

1. 110 In The Shade, CD/JAY CDJAY2 1282 (National Symphony Orchestra conducted by John Owen Edwards)

Entr'acte:

1. 110 In The Shade, CD/JAY CDJAY2 1282 (National Symphony Orchestra conducted by John Owen Edwards)

Evening Star (same music as "Shooting Star" and musically related to "Gonna Be Another Hot Day") (cut; reinstated in the 2003 Signature Theatre, Shirlington, VA and the 2007 Broadway revivals):

1. Composers' Demo (Tom Jones with Harvey Schmidt, piano) (first rendition)
2. 1991 Composers' Private Recording (Tom Jones with Harvey Schmidt, piano) (second rendition)
2. Lost In Boston IV, CD/Varese Sarabande VSD-5768 (Guy Haines with music conducted by Brad Ellis)
3. 110 In The Shade, CD/PS Classics PS-754 (Steve Kazee with orchestra conducted by Paul Gemignani) (as "Evenin' Star")

Everything Beautiful Happens At Night (revised version used in the 1992 New York City Opera revival):

1. 110 In The Shade, CD/JAY CDJAY2 1282 (Company with the National Symphony Orchestra conducted by John Owen Edwards) (bonus track)

Everything Beautiful Happens At Night (Dance):

1. 110 In The Shade, CD/JAY CDJAY2 1282 (National Symphony Orchestra conducted by John Owen Edwards)

Exit Music:

1. 110 In The Shade, CD/JAY CDJAY2 1282 (National Symphony Orchestra conducted by John Owen Edwards)

Fine Just Fine:

1. 1991 Composers' Private Recording (Tom Jones with Harvey Schmidt, piano)

Flibbertigibbet (aka "Flibberty-Gibbet" or "Fliberty Jibits") (cut; later used in PORTFOLIO REVUE and THE SHOW GOES ON):

1. 1991 Composers' Private Recording (Tom Jones with Harvey Schmidt, piano)
2. Lost In Boston, CD/Varese Sarabande VSD-5475 (Sally Mayes with Harvey Schmidt, piano)
3. The Show Goes On, CD/DRG 19008 (Joann Cunningham and Emma Lampert with Harvey Schmidt, piano)

I Can Dance (cut; later used in PORTFOLIO REVUE and THE SHOW GOES ON):

1. The Show Goes On, CD/DRG 19008 (Emma Lampert with Harvey Schmidt, piano)

I Live By Myself And I Like It (cut) :

1. Composers' Demo (Tom Jones with Harvey Schmidt, piano)

Inside My Head (cut):

1. Lost In Boston III, CD/Varese Sarabande VSD-5563 (Ron Raines with musical direction by Tom Fay)

Is It Really Me? (revised version used in the 1992 New York City Opera revival):

1. 110 In The Shade, CD/JAY CDJAY2 1282 (Karen Ziemba and Ron Raines with the National Symphony Orchestra conducted by John Owen Edwards) (bonus track)

Just Fine (cut):

1. Composers' Demo (Tom Jones with Harvey Schmidt, piano)
2. Jones & Schmidt: Hidden Treasures, 1951-2001, CD/Harbinger HCD3404 (Maura Knowles and James Gleason)
3. Lost In Boston, CD/Varese Sarabande VSD-5475 (Sally Mayes and Ron Raines with musical direction by James Stenborg)

Kissin' And Teasin' (unused):

1. 1991 Composers' Private Recording (Tom Jones and Harvey Schmidt, vocals, with Harvey Schmidt, piano)

No, You Can't Tell A Nigger By The Shape Of His Lips (inst.) (unused):

1. "Texas Thirties" demo (Harvey Schmidt, piano)

Overhead (musically related to "Gonna Be Another Hot Day") (unused; added to the 1992 New York City Opera revival):

1. 1991 Composers' Private Recording (Tom Jones and Harvey Schmidt, vocals, with Harvey Schmidt, piano) (preceding "Come On Along")
2. 110 In The Shade, CD/JAY CDJAY2 1282 (Male Ensemble with the National Symphony Orchestra conducted by John Owen Edwards) (not separately tracked but follows "Love, Don't Turn Away")

Prairie Wedding (inst.) (unused):

1. "Texas Thirties" demo (Harvey Schmidt, piano)

Pretty Is (cut):

1. Composers' Demo (Tom Jones and Harvey Schmidt, vocals, with Harvy Schmidt, piano) [also found on Songs By Jones & Schmidt, Chappell C-105]
2. 1991 Composers' Private Recording (Tom Jones with Harvery Schmidt, piano)
3. Publisher's Demo, Private LP (M) DC-82363 (Michael G. Hawkins) [reissued on Jones & Schmidt: Hidden Treasures, 1951-2001, CD/Harbinger HCD3404]
5. 45/RCA Victor 47-8700 (Ed Ames with orchestra conducted by Claus Ogerman) [also found on Opening Night With Ed Ames, RCA Victor (S) LSP-2781]
6. Lost In Boston IV, CD/Varese Sarabande VSD-5768 (Ron Raines with music conducted by Brad Ellis)

Raunchy (revised version used in the 1992 New York City Opera revival):

1. 110 In The Shade, CD/JAY CDJAY2 1282 (Karen Ziemba and George Lee Andrews with the National Symphony Orchestra conducted by John Owen Edwards) (bonus track)

Rice Hotel (inst.) (unused):

1. "Texas Thirties" demo (Harvey Schmidt, piano)

Scene [End of Act Two, Scene Two]/Incidental Music (instrumental version of "Is It Really Me"):

1. 110 In The Shade, CD/JAY CDJAY2 1282 (National Symphony Orchestra conducted by John Owen Edwards) (with dialogue)

Shooting Star (revised lyric to "Evening Star" and musically related to "Gonna Be Another Hot Day") (used in the 1992 New York City Opera revival):

1. 110 In The Shade, CD/JAY CDJAY2 1282 (Ron Raines and Company with the National Symphony Orchestra conducted by John Owen Edwards) (bonus track)

Sketches (believed to be excerpts from the "Texas Thirties" demo):

1. Jones & Schmidt: Hidden Treasures, 1951-2001, CD/Harbinger HCD3404 (Harvey Schmidt, piano)

Starbuck's Entrance (instrumental underscoring):

1. 110 In The Shade, CD/JAY CDJAY2 1282 (National Symphony Orchestra conducted by John Owen Edwards)

Sunday Organdy (inst.) (unused):

1. "Texas Thirties" demo (Harvey Schmidt, piano)

Sweet River (cut):

1. 1991 Composers' Private Recording (Tom Jones with Harvey Schmidt, piano)
2. Lost In Boston, CD/Varese Sarabande VSD-5475 (Sally Mayes with musical direction by James Stenborg)
3. Contemporary Broadway Revisited, CD/Painted Smiles PSCD-131 (Margaret Whiting with Arthur Siegel at the piano)
4. Earthly Paradise: Susan Watson Sings Jones & Schmidt, CD/Nassau Records 96598 (Susan Watson with musical direction by Ed Martel)

Too Many People Alone (same music as "Why Can't They Leave Me Alone") (cut):

1. Publisher's Demo, Private LP (M) DC-82363 (unidentified singer)
2. New From Broadway, RCA Camden (S) CAS-790/(M) CAL 790 (Living Strings conducted by Hill Bowen)

Train Whistle (inst.):

1. 110 In The Shade, CD/JAY CDJAY2 1282 (National Symphony Orchestra conducted by John Owen Edwards) (with dialogue)

Uvalde Blues (inst.) (unused):

1. "Texas Thirties" demo (Harvey Schmidt, piano)

Whole Hog Or Nothin' (cut):

1. Composers' Demo (Tom Jones with Harvey Schmidt, piano)

Why Can't They Leave Me Alone? (same music as "Too Many People Alone") (used in the 1992 New York City Opera production):

1. New From Broadway, RCA Camden (S) CAS-790 (Living Strings conducted by Hill Bowen) ("Too Many People Alone")
2. 110 In The Shade, CD/JAY CDJAY2 1282 (Richard Muenz with the National Symphony Orchestra conducted by John Owen Edwards) (bonus track)

Willard The Wizard (inst.) (unused):

1. "Texas Thirties" demo (Harvey Schmidt, piano)

You're Not Fooling Me (revised version used in the 1992 New York City Opera revival):

1. 110 In The Shade, CD/JAY CDJAY2 1282 (Karen Ziemba and Ron Raines with the National Symphony Orchestra conducted by John Owen Edwards) (bonus track)

Unrecorded Numbers:

Fireworks Dance (cut)
You Gotta Get A Man The Way A Man Get's Got (used in the 2003 Signature Theatre, Shirlington, VA revival)

N.B. Messrs. Jones and Schmidt are said to have written 114 songs for the show before rehearsals began and an additional four songs while the show was out of town. Other than a handful of brief, untitled musical sketches, the remainder of the songs they wrote for this show are not known at this time.